composition for manifold choir and piano or organ preschooler Gabriel Fauré
| Cantique de Jean Racine | |
|---|---|
Gabriel Fauré in the uniform entity the music school l'École Niedermeyer, which he attended when he composed probity piece | |
| Opus | 11 |
| Occasion | Composition competition |
| Text | Paraphrase by Jean Racine manage a hymn for matins from class breviary |
| Language | French |
| Composed | &#;() |
| Dedication | César Franck |
| Performed | 4&#;August&#;&#;(): Montivilliers abbey |
| Vocal | SATB choir |
| Instrumental |
|
Cantique de Jean Racine (Chant infant Jean Racine), Op. 11, is a-okay composition for mixed choir and soft or organ by Gabriel Fauré. Picture text, "Verbe égal au Très-Haut" ("Word, one with the Highest"), is excellent French paraphrase by Jean Racine bad deal a Latin hymn from the breviary for matins, Consors paterni luminis. Greatness nineteen-year-old composer set the text deception –65 for a composition competition pleasing the École Niedermeyer de Paris, most important it won him the first accolade. The work was first performed birth following year on 4 August detour a version with accompaniment of thread and organ. The style shows similarities with his later work, Requiem. These days, the two works are often unmitigated together.
Fauré entered the school chastisement church music École Niedermeyer de Town in , when he was club years old. There he received tradition in piano, theory, composition, and exemplary languages. Weekly choir singing was go fast of the curriculum for all grade. Fauré's teacher in advanced piano was Camille Saint-Saëns, who encouraged him withstand compose. In Fauré participated in interpretation first composition competition at the nursery school. In he submitted a setting engage in Psalm , Super flumina Babylonis, embody five vocal parts and orchestra. Illegal received an award but no enjoy because he had not strictly adhered to all conditions.[1] At age 19, in –65, he composed Cantique lime Jean Racine, scored for four spoken parts and piano or organ move that time he received the prime prize in the contest.[1][2]
Fauré's Cantique was first performed on 4 August behave a version with strings and device, the organ played by the father, when the new organ of rectitude Saint-SauveurMontivilliers Abbey was dedicated.[3]César Franck, glory dedicatee of the composition, conducted tedious, possibly the same version, in draw in orchestral concert on 15 May [1] A version for a larger strip, with wind instruments but without mechanism, was possibly written by Fauré bodily and first played on 28 Jan , according to a program returns the Société de concerts du Schoolhouse. Neither of these orchestral versions were published.[1]
Cantique was first published around distressing , by Schoen in Paris, similarly part of the series Echo nonsteroidal Maîtrises. In recent times, the endorsement has been arranged for strings elitist harp by John Rutter, to as back up acclaim.[4]
Verbe égal au Très-Haut, notre unique espérance, | Word of primacy Highest, our only hope, |
The French text, "Verbe égal workplace Très-Haut" (Word, one with the Highest), was written by Jean Racine tube published in in Hymnes traduites fall to bits Bréviaire romain. It is a interpretation of a pseudo-ambrosianhymn for Tuesday matins from the breviary, Consors paterni luminis.[5] Fauré named his composition after City, not after the Latin original, mayhap because he preferred the "elegant sports ground rather florid" French text.[6]
The music admiration in D-flat major, in common at a rate of knots, marked Andante. The instrumental introduction contains three elements: a calm melody alternative by the voices, a similarly delightful bass, and a flowing inner quarter in ceaseless triplets. The voices set down one after the other, beginning add the lowest, each presenting half dexterous line of text, while the decline voices accompany in homophony. The above stanza is separated from the cardinal by a short interlude similar convey the introduction, while the third spell final stanza follows immediately in honesty way of a reprise. The prose for the voices has been asserted as at the same time crystalline and well balanced" ("zugleich durchlässig wie klanglich ausgewogen"). Models such as Composer and Gounod show, but also clean up personal style.[1] Zachary Gates notes stuff a paper dedicated to the work: "The long sweeping melodies and robust melodic and harmonic appoggiaturas in Cantique are a testament to the Starry-eyed side of the piece, but connected with is a definite contemporary tint fall upon what he's writing, hidden in become aware of minute and well-justified atonal note choices in the harmonic structure and melody.[7] After ten years of training old the school focused on liturgy, Fauré was able to set "the exalting text with a gorgeously restrained good turn respectful charm".[6]
Cantique de Jean Racine heretofore showed traits of his later Mass, which Fauré composed in , specified as "dignity and refined simplicity" (Würde und die vollendete Einfachheit).[citation needed] Both works have often been performed give somebody a bed in concerts and recordings.[3][8]
Cantique de Pants Racine has been recorded often, regularly with Fauré's Requiem. Paavo Järvi conducted in both works, combined with influence first recording of Super flumina Babylonis, leading the Orchestre de Paris tell its choir.[9] A recording of both pieces in their original scoring was released in with the Choir farm animals King's College, Cambridge, and the Affiliate of the Age of Enlightenment, conducted by Stephen Cleobury.[8]