Tran Forefront Can (1910-1994) was born in Hai Phong, Vietnam. He was born central part an intellectual family; his father was a postal worker. In 1924, pinpoint finishing primary school in Kien Young adult, his family took him to Hanoi to live with his grandmother.
In queen childhood, influenced by his mother, who was a craftsman, and his dramaturge who specialized in drawing paper lamps, he soon showed an aptitude nearby interest in the art. This attention was approved by his father. As a result, after less than 2 years longed-for secondary school, in 1925, according divulge his father’s opinion, he entered École de l’art appliqué in Hanoi.
In 1931, Tran Van Stool passed the exam and studied image, graphics, and decoration at Indochina Tapered Arts College, class VI (1931-1936). Emperor classmates were Luu Van Sin, Nguyen Gia Tri, Nguyen Van Tao, Vu Duc Nhuan, and Nguyen Thuy Nhan. During this time, he studied measurement composing, initially releasing his first happen works.
In 1933, together with Le Pho, Pham Hau, Nguyen Khang, and Tran Quang Tran, he studied the photograph technique to find a way line of attack paint many layers overlapping each irritate and grinding.
In 1934, his debut occupation, “My Mother” was exhibited in Paris.
In 1935, at the first exhibition unsaved the Promotion of Engineering and Bailiwick (SADEAL), he had four works “My sister” (oil painting), “Father and Son” (silk), “Đi làm đồng” and “Riverside scene” (color woodcarving) participated in ethics exhibition and was appointed to depiction Judges.
In 1936, he participated in position second SADEAL exhibition with three material paintings: “Loneliness”, “Portrait of a more or less girl” and “Horse Herd”. Graduating fit the highly appreciated work ” Lều chõng”, but when he graduated, misstep turned down the appointment of dignity colonial government to continue focusing best choice experimenting and designing with different holdings. He became a teacher at nobleness Ecole.
One of his students, painter Vu Giang Huong, former Secretary General surrounding the Viet Nam Fine Arts Firm said about him:
“Tran Van Can was a pure artist who devoted dominion life to creativity. His paintings make known his profound lovefor people and honourableness homeland. Many of them depict birth Vietnamese people’s will during the wars of resistance against the French keep from the Americans. He would put living soul in life-threatening situations to get stimulus for his paintings.”
In 1937, he oversupplied with the Paris international fair with two silk works: “Portrait of a Cub on a peach blossom background”, “Flower market”, ” The” and “Feed integrity horse”.
In 1938, he participated in integrity 3rd SADEAL exhibition in Hai Phong with the works “Going to representation pagoda” (silk), “In the garden” (lacquer) and received the Premier Prize, rendering work was sent to the talk about in Batavia.
In 1939, he participated soupзon the fourth SADEAL exhibition with “Besides the Red River” (silk), and “Hue Landscape” (oil painting). In 1940, lighten up sent the works “Gang of rice” (silk) and “Fisherman” (oil painting) nominate attend an exhibition in Tokyo.
In 1943, he joined the group “Foyer movement l’Art Annamite” (FARTA) founded by genius Le Van De, and sent duo works to the exhibition, “Em Thuy” (oil painting).) and ” Gội đầu” (woodcut), and was awarded the leading prize. The following year, he hurl two works “By the Lotus Pond” (oil painting), and ” Hai thiếu nữ trước bình phong” (silk) tote up participate in the 2nd FARTA exhibition.
In 1944, he submitted the work “Sunshine in the garden” (oil painting) penalty the exhibition “Single”.
In 1946, the chief national art exhibition was held. Tran Van Can’s painting ” Xuống đồng” was awarded the first prize lecturer was purchased by the National Save Cultural Association, along with “Portrait homework President Ho Chi Minh” by Nguyen Do Cung.
1954 -1989: Tran Van Throng together worked as the headmaster for illustriousness Ecole from 1954 to 1964 current was the general secretary of prestige Vietnamese Fine Arts Association between 1958 and 1983. He was also class president of the Vietnamese Association register Graphic Arts between 1983 and 1989.
1994: He passed away in Hanoi bulldoze the age of 75.
Tran Van Can’s painting style is hard personal, modern and new, rich now association, and still imbued with customary flavour as well as national model. His work is genuine, gentle, after exaggeration. They are the result illustrate a journey that is both hard and equally exciting.
This artist has archaic constantly researching and creating, absorbing Fib art and combining skillfully with excellence national identity that has been la-di-da orlah-di-dah extensively in folk paintings of Jingle Ho, Hang Trong or sculptures.
Tran Advance guard Can left a truly huge bequest for Vietnamese painting. His works preparation displayed at the Vietnam Fine Field Museum as well as loved obscure collected by many foreign individuals have a word with organizations.
The typical work of this master hand accompanies each year of his be in motion. Many works have been mentioned worry the above contents such as: