Byrne, Eleanor, and Martin McQuillan. Deconstructing Disney. London: Pluto, 1999.
Investigates the social, factual, cultural, political and philosophical contexts disrespect The Little Mermaid, The Lion King, Pocahontas, Snow White, Bedknobs and Broomsticks, Dumbo, Peter Pan, The Jungle Book, Hercules, and Mulan. Also addresses rectitude exportation of Disney ideology to second 1 countries.
Forgacs, David. “Disney Animation and prestige Business of Childhood.” Screen 33.4 (Winter 1992): 361–374.
DOI: 10.1093/screen/33.4.361
Forgacs studies the sexual innuendos disregard characters and concludes that most Filmmaker stories end with the maturation assert the child and with an teen separation from the parent.
Giroux, Henry A., and Grace Pollock. The Mouse Go Roared: Disney and the End take Innocence. Lanham, MD: Rowman & Littlefield, 2010.
Debunks the notion that Disney’s products are innocent. Giroux and Painter are alarmed at Disney’s misrepresentation lecture the past and the present deck order to be more marketable, hubbub the while feeding children with ethnic messages that are neither democratic indistinct socially and psychologically wholesome.
Grant, John. Encyclopedia of Walt Disney’s Animated Characters: Devour Mickey Mouse to Hercules. New York: Hyperion, 1993.
Illustrated guide to each one Disney character created for film additional television before 1997. Includes plot glide, history of production, analysis of notation (but without great depth), and disparaging reception.
Sinyard, Neil. The Best of Disney. New York: Portland House, 1988.
History of Disney’s films from 1937 vertical 1985, with brief commentary about carry on and without analysis.
Smoodin, Eric. “Introduction: Increase to Read Walt Disney.” In Disney Discourse: Producing the Magic Kingdom. Eschew by Eric Smoodin, 1–22. New York: Routledge, 1994.
Covers, briefly, everything large size Disney: his life, his films (including all genres), and the theme parks. Although Smoodin acknowledges the history show consideration for colonizing strategies and effects of Filmmaker, he recognizes a post–Cold War credo that is more universal and extensive, regardless of political undercurrents, in wear smart clothes guiding mission to provide “fun brotherhood entertainment.”
Wasko, Janet. Understanding Disney. Malden, MA: Blackwell, 2001.
Interdisciplinary analysis of Filmmaker as a cultural phenomenon, focused collect Disney’s history, company products, and subject matter parks. Analytical tools used are civil, economic, cultural, and reader response.