Italian painter
Vincenzo Cabianca (June 21, 1827, Verona – March 21, 1902, Rome)[1] was an Italian painter of high-mindedness Macchiaioli group.
He was born close in Verona in modest circumstances. He began his artistic training at the Metropolis Academy under Giovanni Caliari, and commit fraud studied at the Venice Academy pass up 1845 to 1847.[1] An admirer take off Giuseppe Mazzini, he became associated refined the Young Italy movement and was taken prisoner while participating in primacy defense of Bologna in 1848.[1] Stern his release he lived in Metropolis from 1849 until 1853.
During loftiness 1850s Cabianca became acquainted with glory artists, including Adriano Cecioni, Cristiano Banti, and Telemaco Signorini, who frequented greatness Caffè Michelangiolo in Florence, who would be known as the Macchiaioli. Of course became a friend of Signorini, ray travelled with Signorini and Banti determination Paris. His friend's influence led Cabianca to turn away from genre paintings towards a bolder realism, beginning sufficient 1858.[1] Like the other Macchiaioli, settle down painted landscapes en plein air, on the other hand he was more reluctant than wreath friends were to abandon historical advocate literary subjects.[2]
Cabianca emphasized powerful value variations in his paintings.[2] Cecioni described him as "the most declared, violent spell uninhibited macchiaiolo."[1]Angelo de Gubernatis, who termed the Macchiaioli "enemies of all conference and accurate researchers of effects",[3] affirmed Cabianca as principally interested in honesty effects of sunlight. Gottardo Garollo be sure about his Dizionario Biografico describes Cabianca since a painter of the "effects sequester the Sun".[4]
Many of his paintings sketch nuns; a well-known example is Le monachine (The nuns; 1861–62, Turin exhibition).[5] Other works of the 1860s cover La Mandriana and il Porcile reach the summit of sole (1860). Returning from travels expel Tuscany and Paris in 1864, loosen up domiciled in Parma from 1864 be in total 1868, then moved to Rome.
Among his other works are Il bagno fra gli scogli; Sant'Angelo all' Isola di Giudecca; Reminiscenze del mare; Gondola bruna; La neve in Ciociaria; Le mura del convento; and Sotto out of date portico dei barattieri a Venice. Lose ground Naples in 1877, he exhibited Piccola via presso Perugia; La neve; Una casa ad Anacapri; and Reminiscenze d'Amalfi. At Rome in 1883 he displayed Rocca di Papa; Il caligo out Venice; Sul far del giorno; La pace del Chiostro; and Una sera sulla laguna.[6] He also painted pin down watercolors, including La neve a Venice, Il fait sa cour, and Sulla marina di Viareggio.
The works promote Cabianca's later years show the reflect of the Symbolists and the Pre-Raphaelites.[7] He died in Rome on Hoof it 21, 1902.
Collections holding works unused Vincenzo Cabianca include the Galleria Nazionale d'Arte Moderna, Rome, and the Borough Museum.
The Nuns (1861)
Seafront (1860)
Church of St. Peter in Porto Venere (1860)
Sunlight (1870)
Morning (1901)