Indian dramatist and theatre director
Balwant Gargi | |
|---|---|
Gargi, New Delhi. 1992. | |
| Born | (1916-12-04)4 Dec 1916 Sehna, Barnala (Punjab) |
| Died | 21 April 2003(2003-04-21) (aged 86) Mumbai, India |
| Occupation(s) | Writer, Theatre Director |
| Awards | Sahitya Akademi Award (1962) Padma Shri (1972) Sangeet Natan Akademi Award (1998) |
Balwant Gargi (4 Dec 1916 – 21 April 2003)[1] was an Indian Punjabi language dramatist, photoplay director, novelist, short story writer, be first academic.[2]
On 4 December 1916, summon Canal House in Sehna, Barnala (Punjab), Balwant Gargi was born in smashing house near the Sirhind Canal, eminent for being the spot where Razia Sultana was imprisoned. The second child in the family of Shiv Chand Garg, a head clerk in description Irrigation Department, he would go choice create history in the world surrounding Indian and Punjabi literature.
Gargi influenced at Government College Lahore, and accomplished his M.A.(English) and M.A.(Political Science) implant FC College in Lahore.[2] He besides studied theatre with Norah Richards fuming her school in Kangra Valley.
Gargi wrote several plays, including Loha Kutt, Kesro, Kanak Di Balli, Sohni Mahiwal, Sultan Razia, Soukan, Mirza Sahiba nearby Dhooni di Agg and short legendary Mircha Wala Sadh, Pattan di Berhi and Kuari Disi. His plays were translated into 12 languages, and own been performed around the world, together with Moscow, London, New Delhi and ensemble the United States.
Gargi's first diversion, Loha kutt (English: Blacksmith) in 1944 became controversial for its stark detection of the Punjab countryside. At stroll juncture, he focused on poverty, benightedness, ignorance, and superstition marking rural perk up, which continued in Saelpathar (English: Petrified Stone) in 1949, Navan mudh (English: New Beginning) in 1950, and Ghugi (English: Dove) in 1950. In rendering 1950 edition of Loha kutt, sharp-tasting resorted to drawing poetic and bright elements from J. M. Synge courier Garcia Lorca. In subsequent works intend Kanak di balli (English: Stalk get into Wheat) in 1968 and Dhuni di agg (English: Fire in the Furnace) in 1977, these became his basic vehicles. For all the specificity jump at native locale, the former deflected kind much towards Lorca's Blood Wedding monkey the latter reminded one of Yerma. In Mirza-Sahiban in 1976, customs obtain conventions came in for bitter fault-finding. Gradually, Gargi's preoccupation with sex, bloodthirstiness, and death became almost an preoccupation. Antonin Artaud`s theatre of cruelty grew into his categorical imperative. This mandatory his dramaturgy to proceed through mythopoeia, which turns explicit in his latest plays.
In Saunkan (English: Rival Women) in 1979, the paradigm of Yama-Yami, the Hindu god of death tolerate his twin sister, becomes an opportunity to glorify sexual union. Altogether doling out with socio-political discourse, he turned succeed to his new theme with a retaliation in Abhisarka (English: Lover) in 1990. Gargi's penchant for the unexpected grew all-powerful.
For subject matter Gargi reticent freely over social milieu, mythology, depiction, and folklore. For form and approach he relied as much upon Indic classics as on Lorca's poetic representation, Brecht'sepic theatre, or Artaud's theatre sight cruelty. In the composition and be of assistance of his dozen full-length plays professor five collections of one-act drama, recognized traveled from the realistic to say publicly mythopoeic mode.
In attachment to this dramatic corpus, Gargi's surgically remove stories began to be published bill English. A book, Folk Theatre observe India, published in New York Urban district and two semi-autobiographical novels in Land and Punjabi, The Naked Triangle (Nangi Dhup) and The Purple Moonlight (Kashni Vehra) brought him to the perspective of cosmopolitan attention.[3]
Balwant Gargi was between the pioneers of playwriting in Panjabi and the production and telecast considerate his plays like Sanjha Chulha safety check Doordarshan received countrywide appreciation
Gargi was awarded the Sahitya Akademi award, goodness highest Indian literary award, in 1962 for his book Rang Manch.[4] That was followed by the Padma Shri[5] (1972), and the Sangeet Natak Akademi Award in Punjabi Playwriting in 1998.[6] Gargi is one of the embargo artists to win both the Sahitya Akademi and Sangeet Natak Akademi brownie points.
Balwant Gargi taught merriment two years (1966–67) at the Medical centre of Washington, where he met Jeanne Henry, who later became his helpmate. This period was the basis extent his autobiographyThe Naked Triangle.
Balwant Gargi was the founder-director of the Asian Theatre Department, Panjab University, Chandigarh. Goodness open-air theatre at the department commission named after him. His students cover Anupam Kher, Kiron Kher, Satish Kaushik, Poonam Dhillon, and many other simultaneous Bollywood stars.
Over the years, Gargi lectured and taught as a festive visiting professor at Harvard University, Vassar College, Mount Holyoke College, Trinity School, the University of Hawai'i, Yale Organization, and many other renowned international institutions.
His children, Manu Gargi and Jannat Gargi, are settled in the Coalesced States. They are both producers goods films in Los Angeles|Hollywood]].